14th Century I Answers

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1
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What was the role of guilds?

Answer:

Guilds regulated trades, set standards, trained apprentices, and controlled artistic production and sales in the medieval period.

3

Which of the following describes one of the drawbacks of fresco secco? a. Fresco secco didn't allow for the use of ultramarine blue paints. b. Gold leafing couldn't be applied to frescoes when using the fresco secco technique. c. Fresco artists could only work on one small section of a fresco at a time. d. Fresco secco was less durable than other techniques, and subject to peeling.

A
Option
B
Option
C
Option
D
Option
4

Which of the following is not one of Cennini’s painting steps?

A
cover with linen soaked in gesso
B
sketch composition with charcoal
C
paint a light wash over charcoal sketch
D
ink in final version of the design
8

What was tempera paint mixed with?

A
egg white
B
water
C
egg yolk
D
all of the above
9

Which of the following best defines secco fresco?

A
a technique in which paint is applied with water based paints on plaster
B
a type of fresco that is sprayed with water when it in finished
C
a technique in which paint is applied to a dry plaster wall
D
none of the above
12

What was tempera paint mixed with?

A
egg white
B
water
C
egg yolk
D
all of the above
15

What was the role of guilds?

Answer:

Guilds were organizations of people who practiced the same trade or craft. They regulated the profession, maintained quality standards, trained apprentices, and supported their members.

16

Which of the following best defines secco fresco?

A
a technique in which paint is applied with water based paints on plaster
B
a type of fresco that is sprayed with water when it in finished
C
a technique in which paint is applied to a dry plaster wall
D
none of the above
17

Which of the following describes one of the drawbacks of fresco secco? a. Fresco secco didn't allow for the use of ultramarine blue paints. b. Gold leafing couldn't be applied to frescoes when using the fresco secco technique. c. Fresco artists could only work on one small section of a fresco at a time. d. Fresco secco was less durable than other techniques, and subject to peeling.

A
Option
B
Option
C
Option
D
Option
19

Which of the following is not one of Cennini’s painting steps?

A
cover with linen soaked in gesso
B
sketch composition with charcoal
C
paint a light wash over charcoal sketch
D
ink in final version of the design

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