AnswersCA-Common Core English Language Arts 10A Doll’s House, Part 3: Theme and Society

A Doll’s House, Part 3: Theme and Society Answers

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What is a universal theme?

A
a message that explores cultural and geographical differences among people from all parts of the world
B
a message about the human condition that people, regardless of differences, understand on a personal level
C
a message in which the human condition is explored through a variety of viewpoints from different cultures
D
a message that applies to people who have read literature from different countries and that explores one idea
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One topic of a story is innocence.Which statements are universal themes associated with this topic? Select three options.

A
When the boy saw the effects of war, he no longer viewed life as innocent.
B
The path from innocence to experience can be long and difficult.
C
One way to define innocence is as a lack of worldly experience or sophistication.
D
The loss of innocence is a result of gaining experience and making mistakes.
E
Protecting the innocence of others prevents them from taking risks in their lives.
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Read the excerpt from act 3 of A Doll’s House.Nora: Alas, Torvald, you are not the man to educate me into being a proper wife for you.Helmer: And you can say that!Nora: And I—how am I fitted to bring up the children?Helmer: Nora!Nora: Didn't you say so yourself a little while ago—that you dare not trust me to bring them up?Helmer: In a moment of anger! Why do you pay any heed to that?Nora: Indeed, you were perfectly right. I am not fit for the task. There is another task I must undertake first. I must try and educate myself—you are not the man to help me in that. I must do that for myself. And that is why I am going to leave you now.Helmer [springing up]: What do you say?Nora: I must stand quite alone, if I am to understand myself and everything about me. It is for that reason that I cannot remain with you any longer.

A
“Alas, Torvald, you are not the man to educate me into being a proper wife for you.”
B
“Didn't you say so yourself a little while ago—that you dare not trust me to bring them up?”
C
“Indeed, you were perfectly right. I am not fit for the task.”
D
“I must stand quite alone, if I am to understand myself and everything about me.”
4

Read the excerpt from act 3 of \A Doll’s House.Helmer: Listen to her, Mrs. Linde! She had danced her Tarantella, and it had been a tremendous success, as it deserved—although possibly the performance was a trifle too realistic—a little more so, I mean, than was strictly compatible with the limitations of art. But never mind about that! The chief thing is, she had made a success—she had made a tremendous success. Do you think I was going to let her remain there after that, and spoil the effect? No, indeed! I took my charming little Capri maiden—my capricious little Capri maiden, I should say—on my arm; took one quick turn round the room; a curtsey on either side, and, as they say in novels, the beautiful apparition disappeared. An exit ought always to be effective, Mrs. Linde; but that is what I cannot make Nora understand. Pooh! this room is hot. [Throws his domino on a chair, and opens the door of his room.] Hullo! it's all dark in here. Oh, of course—excuse me—.

A
“She had danced her Tarantella, and it had been a tremendous success.”
B
“I took my charming little Capri maiden . . . on my arm.”
C
“An exit ought always to be effective, Mrs. Linde.”
D
“But that is what I cannot make Nora understand.”
5

Read the excerpt from act 3 of A Doll’s House.Krogstad [with a searching look at her]. Is that what it all means?—that you want to save your friend at any cost? Tell me frankly. Is that it?Mrs. Linde: Nils, a woman who has once sold herself for another's sake, doesn't do it a second time.Krogstad: I will ask for my letter back.Mrs. Linde: No, no.Krogstad: Yes, of course I will. I will wait here until Helmer comes; I will tell him he must give me my letter back—that it only concerns my dismissal—that he is not to read it—Mrs. Linde: No, Nils, you must not recall your letter.Krogstad: But, tell me, wasn't it for that very purpose that you asked me to meet you here?Mrs. Linde: In my first moment of fright, it was. But twenty-four hours have elapsed since then, and in that time I have witnessed incredible things in this house. Helmer must know all about it. This unhappy secret must be disclosed; they must have a complete understanding between them, which is impossible with all this concealment and falsehood going on.Krogstad: Very well, if you will take the responsibility. But there is one thing I can do in any case, and I shall do it at once.

A
“You want to save your friend at any cost?”
B
“A woman who has once sold herself for another's sake, doesn't do it a second time.”
C
“This unhappy secret must be disclosed; they must have a complete understanding.”
D
“Very well, if you will take the responsibility.”
6

Which views from the late 1800s does this passage best support? Select two options.

A
Society considered women to be lesser than men.
B
Men had much greater economic freedom than women.
C
Women who challenged societal norms were considered outcasts.
D
Women who ended marriages could not keep any property.
E
Men often considered women to be their personal property.
7

Read the excerpt from act 3 of A Doll’s House.Helmer [walking up and down]: He had so grown into our lives. I can't think of him as having gone out of them. He, with his sufferings and his loneliness, was like a cloudy background to our sunlit happiness. Well, perhaps it is best so. For him, anyway. [Standing still.] And perhaps for us too, Nora. We two are thrown quite upon each other now. [Puts his arms round her.] My darling wife, I don't feel as if I could hold you tight enough. Do you know, Nora, I have often wished that you might be threatened by some great danger, so that I might risk my life's blood, and everything, for your sake.

A
“I can't think of him as having gone out of them. He, with his sufferings and his loneliness, was like a cloudy background to our sunlit happiness.”
B
“And perhaps for us too, Nora. We two are thrown quite upon each other now.”
C
“My darling wife, I don't feel as if I could hold you tight enough.”
D
“I have often wished that you might be threatened by some great danger, so that I might risk my life's blood, and everything, for your sake.”
8

Read the excerpt from act 3 of A Doll’s House.Krogstad: I will ask for my letter back.Mrs. Linde: No, no.Krogstad: Yes, of course I will. I will wait here until Helmer comes; I will tell him he must give me my letter back--that it only concerns my dismissal--that he is not to read it--Mrs. Linde: No, Nils, you must not recall your letter.Krogstad: But, tell me, wasn't it for that very purpose that you asked me to meet you here?Mrs. Linde: In my first moment of fright, it was. But twenty-four hours have elapsed since then, and in that time I have witnessed incredible things in this house. Helmer must know all about it. This unhappy secret must be disclosed; they must have a complete understanding between them, which is impossible with all this concealment and falsehood going on.Krogstad: Very well, if you will take the responsibility.

A
the man as a ruler
B
the man as a trickster
C
the woman as a mother
D
the woman as a caregiver
9

How do the stage directions best support the theme that the truth can never be hidden? Select two options.

A
When Helmer kisses Nora on the forehead, he is telling her that he will always love her despite what happens.
B
When Helmer takes his letters and shuts the door to his room, he is demonstrating that he wants his personal business hidden from Nora.
C
When Nora wraps her shawl around herself, she is attempting to hide from Helmer and symbolically keep her secrets hidden.
D
When Nora speaks in spasmodic whispers, she is showing that the truth about Helmer is causing her a great deal of distress.
E
When Helmer stands with the open letter, he is showing Nora that he knows of her actions and wants to confront her.
10

Read the excerpt from act 3 of A Doll’s House.Helmer: Before all else, you are a wife and a mother.Nora: I don't believe that any longer. I believe that before all else I am a reasonable human being, just as you are—or, at all events, that I must try and become one. I know quite well, Torvald, that most people would think you right, and that views of that kind are to be found in books; but I can no longer content myself with what most people say, or with what is found in books. I must think over things for myself and get to understand them.Helmer: Can you not understand your place in your own home? Have you not a reliable guide in such matters as that?—have you no religion?Nora: I am afraid, Torvald, I do not exactly know what religion is.

A
The conflict demonstrates that women are better suited to be mothers than wives.
B
The conflict demonstrates that women are not inclined to practice a particular religion.
C
The conflict demonstrates that women are expected to remain in the roles assigned to them.
D
The conflict demonstrates that women are not expected to get their education from books.

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