Read the passage from "By the Waters of Babylon.” I have been in the Dead Places near us, with my father—at first, I was afraid. When my father went into the house to search for the metal, I stood by the door and my heart felt small and weak. It was a dead man's house, a spirit house. It did not have the smell of man, though there were old bones in a corner. Which detail from the text best establishes the influence of religion on this setting?
Read the passage from "By the Waters of Babylon.” After a time, I myself was allowed to go into the dead houses and search for metal. So I learned the ways of those houses—and if I saw bones, I was no longer afraid. The bones are light and old—sometimes they will fall into dust if you touch them. But that is a great sin. What does the narrator’s response to the setting reveal about his character?
Read the passage from "By the Waters of Babylon.” It is not true what some of the tales say, that the ground there burns forever, for I have been there. Here and there were the marks and stains of the Great Burning, on the ruins, that is true. But they were old marks and old stains. It is not true either, what some of our priests say, that it is an island covered with fogs and enchantments. It is not. It is a great Dead Place—greater than any Dead Place we know. Everywhere in it there are god-roads, though most are cracked and broken. Everywhere there are the ruins of the high towers of the gods. How does visiting the Place of the Gods affect the narrator?
Which statement from "By the Waters of Babylon” provides the best example of how the physical environment shapes the character’s actions?
In "By the Waters of Babylon,” what conflicts does the setting present for the main character? Choose three correct answers.
Read the passage from "By the Waters of Babylon.” All the same, when I came to the Place of the Gods, I was afraid, afraid. The current of the great river is very strong—it gripped my raft with its hands. That was magic, for the river itself is wide and calm. I could feel evil spirits about me, I was swept down the stream. Never have I been so much alone—I tried to think of my knowledge, but it was a squirrel's heap of winter nuts. There was no strength in my knowledge any more and I felt small and naked as a new-hatched bird—alone upon the great river, the servant of the gods. Which statement best explains how the narrator interacts with the setting?
Read the passage from "By the Waters of Babylon.” All the same, when I came to the Place of the Gods, I was afraid, afraid. The current of the great river is very strong—it gripped my raft with its hands. That was magic, for the river itself is wide and calm. I could feel evil spirits about me, I was swept down the stream. Never have I been so much alone—I tried to think of my knowledge, but it was a squirrel's heap of winter nuts. There was no strength in my knowledge any more and I felt small and naked as a new-hatched bird—alone upon the great river, the servant of the gods. Which statement best explains how the narrator interacts with the setting?
Read the passage from "By the Waters of Babylon.” Sometimes signs are sent by bad spirits. I waited again on the flat rock, fasting, taking no food. I was very still—I could feel the sky above me and the earth beneath. I waited till the sun was beginning to sink. Then three deer passed in the valley going east—they did not mind me or see me. There was a white fawn with them—a very great sign. Which details does the author include to describe the setting? Choose two correct answers.
Read the passage from "By the Waters of Babylon.” How shall I tell what I saw? There was no smell of man left, on stone or metal. Nor were there many trees in that wilderness of stone. There are many pigeons, nesting and dropping in the towers—the gods must have loved them, or, perhaps, they used them for sacrifices. There are wild cats that roam the god-roads, green-eyed, unafraid of man. At night they wail like demons but they are not demons. The wild dogs are more dangerous, for they hunt in a pack, but them I did not meet till later. Everywhere there are the carved stones, carved with magical numbers or words. How do details such as "stone or metal,” "many pigeons,” "towers,” and "wild cats that roam the god-roads” help establish setting?
Read the passage from "By the Waters of Babylon.” How shall I tell what I saw? The towers are not all broken—here and there one still stands, like a great tree in a forest, and the birds nest high. But the towers themselves look blind, for the gods are gone. I saw a fishhawk, catching fish in the river. I saw a little dance of white butterflies over a great heap of broken stones and columns. I went there and looked about me—there was a carved stone with cut—letters, broken in half. I can read letters but I could not understand these. They said UBTREAS. There was also the shattered image of a man or a god. It had been made of white stone and he wore his hair tied back like a woman's. His name was ASHING, as I read on the cracked half of a stone. I thought it wise to pray to ASHING, though I do not know that god. Which details in the passage describe an atmosphere of desolation? Choose two correct answers.
Read the passage from "By the Waters of Babylon.” After a time, I myself was allowed to go into the dead houses and search for metal. So I learned the ways of those houses—and if I saw bones, I was no longer afraid. The bones are light and old—sometimes they will fall into dust if you touch them. But that is a great sin. What does the narrator’s response to the setting reveal about his character?
In "By the Waters of Babylon,” what conflicts does the setting present for the main character? Choose three correct answers.
Read the passage from "By the Waters of Babylon.” Sometimes signs are sent by bad spirits. I waited again on the flat rock, fasting, taking no food. I was very still—I could feel the sky above me and the earth beneath. I waited till the sun was beginning to sink. Then three deer passed in the valley going east—they did not mind me or see me. There was a white fawn with them—a very great sign. Which details does the author include to describe the setting? Choose two correct answers.
Read the passage from "By the Waters of Babylon.” How shall I tell what I saw? The towers are not all broken—here and there one still stands, like a great tree in a forest, and the birds nest high. But the towers themselves look blind, for the gods are gone. I saw a fishhawk, catching fish in the river. I saw a little dance of white butterflies over a great heap of broken stones and columns. I went there and looked about me—there was a carved stone with cut—letters, broken in half. I can read letters but I could not understand these. They said UBTREAS. There was also the shattered image of a man or a god. It had been made of white stone and he wore his hair tied back like a woman's. His name was ASHING, as I read on the cracked half of a stone. I thought it wise to pray to ASHING, though I do not know that god. Which details in the passage describe an atmosphere of desolation? Choose two correct answers.
Read the passage from "By the Waters of Babylon.” Nevertheless, as I made the raft, the tears ran out of my eyes. The Forest People could have killed me without fight, if they had come upon me then, but they did not come. When the raft was made, I said the sayings for the dead and painted myself for death. My heart was cold as a frog and my knees like water, but the burning in my mind would not let me have peace. As I pushed the raft from the shore, I began my death song—I had the right. It was a fine song. Which textual evidence best supports the analysis that the setting develops the author's acceptance of death?
Read the passage from "By the Waters of Babylon.” I have been in the Dead Places near us, with my father—at first, I was afraid. When my father went into the house to search for the metal, I stood by the door and my heart felt small and weak. It was a dead man's house, a spirit house. It did not have the smell of man, though there were old bones in a corner. Which detail from the text best establishes the influence of religion on this setting?
Read the passage from "By the Waters of Babylon.” It is not true what some of the tales say, that the ground there burns forever, for I have been there. Here and there were the marks and stains of the Great Burning, on the ruins, that is true. But they were old marks and old stains. It is not true either, what some of our priests say, that it is an island covered with fogs and enchantments. It is not. It is a great Dead Place—greater than any Dead Place we know. Everywhere in it there are god-roads, though most are cracked and broken. Everywhere there are the ruins of the high towers of the gods. How does visiting the Place of the Gods affect the narrator?
Which statement from "By the Waters of Babylon” provides the best example of how the physical environment shapes the character’s actions?
Read the passage from "By the Waters of Babylon.” How shall I tell what I saw? There was no smell of man left, on stone or metal. Nor were there many trees in that wilderness of stone. There are many pigeons, nesting and dropping in the towers—the gods must have loved them, or, perhaps, they used them for sacrifices. There are wild cats that roam the god-roads, green-eyed, unafraid of man. At night they wail like demons but they are not demons. The wild dogs are more dangerous, for they hunt in a pack, but them I did not meet till later. Everywhere there are the carved stones, carved with magical numbers or words. How do details such as "stone or metal,” "many pigeons,” "towers,” and "wild cats that roam the god-roads” help establish setting?
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