Comparing and Contrasting Two Versions of The War of the Worlds Answers

Read the passage.UFOs, or unidentified flying objects, are often the topic of science fiction novels. In reality, UFOs are often aircraft, kites, clouds, or meteors that observers are unable to recognize at first glance. A UFO near Roswell, New Mexico, made headlines in the mid-twentieth century and remains a pop-culture phenomenon. In more modern history, satellite launches have caused rocket debris that is often observed and reported as a UFO.

How do authors impart aesthetic elements? Select 3 options.

Which descriptive details does the author include to entertain readers? Select 3 options.

Read the excerpt from H. G. Wells's The War of the Worlds.The end of the cylinder was being screwed out from within. Nearly two feet of shining screw projected. Somebody blundered against me, and I narrowly missed being pitched onto the top of the screw. I turned, and as I did so the screw must have come out, for the lid of the cylinder fell upon the gravel with a ringing concussion. I stuck my elbow into the person behind me, and turned my head towards the Thing again. For a moment that circular cavity seemed perfectly black. I had the sunset in my eyes.

Which excerpt from The War of the Worlds uses a sensory detail for aesthetic impact?

Which statement best describes the difference between the aesthetic appeal of the the original The War of the Worlds by H.G. Wells and the radio version by Orson Welles?

Consider these versions of The War of the Worlds.Excerpt 1, from H. G. Wells's novel The War of the Worlds:"Henderson," he called, "you saw that shooting star last night?" "Well?" said Henderson. "It's out on Horsell Common now." "Good Lord!" said Henderson. "Fallen meteorite! That's good." "But it's something more than a meteorite. It's a cylinder—an artificial cylinder, man! And there’s something inside."Excerpt 2, from Howard E. Koch's script for Orson Welles's radio adaptation:WILMUTH: I seen a kinda greenish streak and then zingo! Somethin' smacked the ground. Knocked me clear out of my chair! PHILLIPS: Well, were you frightened, Mrs. Wilmuth? MRS. WILMUTH: Well, I—I ain't quite sure. I reckon I—I was kinda riled. PHILLIPS: Thank you, Mr. Wilmuth. Thank you.Which statement best describes the similarity between these versions?

Consider these versions of The War of the Worlds.Excerpt 1, from H. G. Wells's novel The War of the Worlds:Everything was then quite invisible, hidden by the deep pit and the heap of sand that the fall of the cylinder had made. Anyone coming along the road from Chobham or Woking would have been amazed at the sight—a dwindling multitude of perhaps a hundred people or more standing in a great irregular circle, in ditches, behind bushes, behind gates and hedges, saying little to one another and that in short, excited shouts, and staring, staring hard at a few heaps of sand.Excerpt 2, from Howard E. Koch's script for Orson Welles's radio adaptation:PHILLIPS: Ladies and gentlemen, you've just heard Mr. Wilmuth, owner of the farm where this thing has fallen. I wish I could convey the atmosphere . . . the background of this . . . fantastic scene. Hundreds of cars are parked in a field in back of us. Police are trying to rope off the roadway leading to the farm. But it's no use. They're breaking right through. Cars' headlights throw an enormous spot on the pit where the object's half buried. Some of the more daring souls are now venturing near the edge. Their silhouettes stand out against the metal sheen.(FAINT HUMMING SOUND)One man wants to touch the thing . . . he's having an argument with a policeman. The policeman wins . . .Which statements describe similarities in the authors' craft? Select 3 options.

Which statement best explains the aesthetic elements of a literary work?

Read the excerpt from H. G. Wells's The War of the Worlds.But, looking, I presently saw something stirring within the shadow: greyish billowy movements, one above another, and then two luminous disks—like eyes. Then something resembling a little grey snake, about the thickness of a walking stick, coiled up out of the writhing middle, and wriggled in the air towards me—and then another.