Hamlet, Part 5: Characteristics of Elizabethan Drama Answers

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H
He expresses regret for his previous behaviors.
H
He is a human representation of greed.
H
He reminds the audience of the need for prayer.
H
He symbolizes England’s monarchy.
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What excerpt from Act III of Hamlet supports the conclusion that Hamlet is critical of women?

A
Hamlet:Is this a prologue, or the posy of a ring?Ophelia:’Tis brief, my lord.Hamlet:As woman’s love.
B
Hamlet:Madam, how like you this play?Gertrude:The lady doth protest too much, methinks.
C
Ophelia:What means this, my lord?Hamlet:Marry, this is miching mallecho; it means mischief.Ophelia:Belike this show imports the argument of the play.
D
Ophelia:The king rises.Hamlet:What! frighted with false fire?Gertrude:How fares my lord?Polonius:Give o’er the play.
5

How are Shakespeare’s characters examples of Elizabethan drama? Select two answers.They are variations on familiar Biblical figures.They grow and change throughout the play.They display a wide range of human emotion.They represent a single allegorical concept.They express their reverence for Christian saints.

T
They are variations on familiar Biblical figures.
T
They grow and change throughout the play.
T
They display a wide range of human emotion.
T
They represent a single allegorical concept.
T
They express their reverence for Christian saints.
8

What line from Act III of Hamlet supports the conclusion that Claudius fears his own fate?

A
And, like a man to double business bound, I stand in pause where I shall first begin, And both neglect.
B
What if this cursed hand Were thicker than itself with brother’s blood, Is there not rain enough in the sweet heavens To wash it white as snow?
C
Bow, stubborn knees; and heart with strings of steel Be soft as sinews of the new-born babe.
D
My words fly up, my thoughts remain below: Words without thoughts never to heaven go.
9

Shakespeare’s Hamlet is an example of Elizabethan drama because

c
complex characters explore human experiences.
B
Biblical characters teach lessons.
u
unchanging characters represent abstract ideas.
t
the lives of saints reveal miraculous events.
11

Read the excerpt from Act III of Hamlet.Ophelia:What means this, my lord?Hamlet:Marry, this is miching mallecho; it means mischief.Ophelia:Belike this show imports the argument of the play.Enter Prologue.Hamlet:We shall know by this fellow: the players cannot keep counsel; they’ll tell all.Ophelia:Will he tell us what this show meant?Hamlet:Ay, or any show that you’ll show him; be not you ashamed to show, he’ll not shame to tell you what it means.Ophelia:You are naught, you are naught. I’ll mark the play.

A
mischief
B
argument
C
counsel
D
naught
12

Read the excerpt from Act III of Hamlet.Rosencrantz:The cease of majesty Dies not alone, but, like a gulf doth draw What’s near it with it; it is a massy wheel, Fix’d on the summit of the highest mount, To whose huge spokes ten thousand lesser things Are mortis’d and adjoin’d; which, when it falls, Each small annexment, petty consequence, Attends the boisterous ruin. Never alone Did the king sigh, but with a general groan.

A
The lives of saints are celebrated.
B
Political power is discussed.
C
Rosencrantz tells a Biblical story.
D
Rosencrantz recalls the details of his life.
13

Read the excerpt from Act III of Hamlet.Hamlet: [L]et your own discretion be your tutor: suit the action to the word, the word to the action; with this special observance, that you o’erstep not the modesty of nature; for anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as ’twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now, this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of which one must in your allowance o’erweigh a whole theatre of others. O! there be players that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of nature’s journeymen had made men and not made them well, they imitated humanity so abominably.

A
the mirror up to nature
B
a whole theatre of others
C
the accent of Christians
D
some of nature’s journeymen
14

What line from Act III of Hamlet supports the conclusion that Shakespeare is critical of actors?

A
for in the very torrent, tempest, and—as I may say—whirlwind of passion, you must acquire and beget a temperance, that may give it smoothness
B
it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters
C
but let your own discretion be your tutor: suit the action to the word, the word to the action; with this special observance
D
And let those that play your clowns speak no more than is set down for them
15

What line from Act III of Hamlet supports the conclusion that Claudius fears his own fate?

A
And, like a man to double business bound, I stand in pause where I shall first begin, And both neglect.
B
What if this cursed hand Were thicker than itself with brother’s blood, Is there not rain enough in the sweet heavens To wash it white as snow?
C
Bow, stubborn knees; and heart with strings of steel Be soft as sinews of the new-born babe.
D
My words fly up, my thoughts remain below: Words without thoughts never to heaven go.
16

What excerpt from Act III of Hamlet supports the conclusion that Hamlet is critical of women?

A
Hamlet:Is this a prologue, or the posy of a ring?Ophelia:’Tis brief, my lord.Hamlet:As woman’s love.
B
Hamlet:Madam, how like you this play?Gertrude:The lady doth protest too much, methinks.
C
Ophelia:What means this, my lord?Hamlet:Marry, this is miching mallecho; it means mischief.Ophelia:Belike this show imports the argument of the play.
D
Ophelia:The king rises.Hamlet:What! frighted with false fire?Gertrude:How fares my lord?Polonius:Give o’er the play.
17

Read the excerpt from Act III of Hamlet.Polonius:My lord, he’s going to his mother’s closet: Behind the arras I’ll convey myself To hear the process; I’ll warrant she’ll tax him home; And, as you said, and wisely was it said, ’Tis meet that some more audience than a mother, Since nature makes them partial, should o’er-hear The speech, of vantage. Fare you well, my liege: I’ll call upon you ere you go to bed And tell you what I know.

A
he represents suspicion.
B
he is loyal to King Claudius.
C
he predicts Hamlet’s behavior.
D
he practices deception.
18

Read the excerpt from Act III of Hamlet.Hamlet: O God, your only jig-maker. What should a man do but be merry? for, look you, how cheerfully my mother looks, and my father died within’s two hours.Ophelia: Nay, ’tis twice two months, my lord.Hamlet: So long? Nay, then, let the devil wear black, for I’ll have a suit of sables. O heavens! die two months ago, and not forgotten yet? Then there’s hope a great man’s memory may outlive his life half a year; but, by ’r lady, he must build churches then, or else shall he suffer not thinking on, with the hobby-horse, whose epitaph is, ‘For, O! for, O! the hobby-horse is forgot.’

A
by exploring human emotions
B
by referencing Biblical concepts
C
by addressing political policies
D
by praising the lives of saints
19

Read the excerpt from Act III of Hamlet.Rosencrantz:Never alone Did the king sigh, but with a general groan.Claudius:Arm you, I pray you, to this speedy voyage; For we will fetters put upon this fear, Which now goes too free-footed.Rosencrantz and Guildenstern:We will haste us.

A
general groan
B
speedy voyage
C
fetters
D
haste
20

Which statement best describes why Shakespeare’s Hamlet is a complex character?

A
His behavior represents the emotion of grief.
B
He expresses a singular desire for revenge.
C
He imparts to the audience a moral lesson about forgiveness.
D
His actions and emotions are varied and unpredictable.

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