AnswersWCA - English 2AA Doll’s House, Part 1: Dramatic Structure and Characterization

A Doll’s House, Part 1: Dramatic Structure and Characterization Answers

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1
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Characters and conflicts are introduced .

A
early in the play
B
in the middle of the play
C
at the end of the play
2
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The key to suspense is to resolve the conflict .

A
as quickly as possible
B
in the middle of the play
C
near the end of the play
4

How does the interaction between Krogstad and Nora create suspense?

A
It provides the audience with the resolution to the conflict that occurs between Nora and her husband.
B
It causes the audience to dislike Nora for her dishonesty about how she obtained the money from her father.
C
It causes the audience to become anxious about what Krogstad intends to do with the evidence he presents to Nora.
D
It allows the audience to understand how Nora obtained the money she needed to pay for her husband’s medical expenses.
5

How does the conflict between Nora, Krogstad, and Torvald affect the plot?

A
It will have little to no impact because this is background information used to create character.
B
It will have a minor impact because Nora and Krogstad are both guilty of the same crime.
C
It will have a major impact because it hints at future conflicts between Nora and her husband.
D
It will have a major impact because Nora is a good liar, and Torvald will never learn the truth.
6

Which statement is the best explanation of the dramatic irony in this passage?

A
The audience knows that Nora is excited by Helmer’s words and waits for him to see it, creating a contradictory situation.
B
The audience knows that Nora has lied and that therefore Helmer’s complaint about liars is contradictory to his actual situation.
C
The audience knows that Nora is unhappy, and waits for her to realize it; this gives the audience a different understanding of the situation.
D
The audience knows that Helmer is kind and loving, and waits for Nora to realize this, creating a disconnect between expectations and actions.

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A Doll’s House , Part 1: Dramatic Structure and…