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Japanese Art Answers

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1
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Which of the following is not true of women’s hand?

A
It had a refined, subtle emotional impact.
B
It was used mainly by secular painters.
C
It was characterized by delicate lines and asymmetrical compositions.
D
It was a style only used by women.
2
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In Esoteric Buddhism, ___________________

A
mandalas were outlawed by Buddhist priests.
B
the pottery was made using a coil technique.
C
there were many deities who were all part of a universal Buddha.
D
Buddhism was spread to China and Korea.
4

The title of this piece of Esoteric Buddhist art is ____________________.

Question illustration
A
Mandalas of the Womb World
B
Choiu Giga
C
Scene from the Tale of Genji
D
The Universal Buddha
5

Which of the following is not true of Japanese pottery during the Jomon period?

A
The pots often displayed an artistically playful spirit.
B
During the Jomon period, pots were made using coil technique.
C
Pieces of Jomon pottery held magic powers of good fortune.
D
The pots were used mainly for cooking.
7

Mandalas were _____________

A
clay figurines popular during the Jomon period.
B
a hanging scroll used for teaching about deities.
C
a representation of a person, especially in the sculpture form.
D
a garment, such as a sash of about twenty feet, and wrapped around the body.
8

The top of the pot displayed _________________

Question illustration
A
the religious turmoil of the time.
B
life continuous cycle through reincarnation.
C
an effigy of its owner.
D
an artistic playful spirit
10

Men’s hand _________________________

A
is characterized by delicate lines, strong muted colors, and asymmetrical compositions.
B
depicted the lower class as equal to higher classes.
C
were created on scrolls and used for teaching about the Buddhist deities.
D
satirized different levels of society
11

In Esoteric Buddhism, ___________________

A
mandalas were outlawed by Buddhist priests.
B
the pottery was made using a coil technique.
C
there were many deities who were all part of a universal Buddha.
D
Buddhism was spread to China and Korea.
12

The title of this piece of Esoteric Buddhist art is ____________________.

Question illustration
A
Mandalas of the Womb World
B
Choiu Giga
C
Scene from the Tale of Genji
D
The Universal Buddha
13

Which of the following is not true of women’s hand?

A
It had a refined, subtle emotional impact.
B
It was used mainly by secular painters.
C
It was characterized by delicate lines and asymmetrical compositions.
D
It was a style only used by women.
14

The four main islands of Japan are __________________________.

A
Hiroshima, Honshu, Jomon, and Kyushu
B
Honshu, Nagasaki, Mandala and Shikoku
C
Genji, Hiroshima, Jomon, and Honshu
D
Hokkaido, Honshu, Shikoku, and Kyushu
15

Men’s hand _________________________

A
is characterized by delicate lines, strong muted colors, and asymmetrical compositions.
B
depicted the lower class as equal to higher classes.
C
were created on scrolls and used for teaching about the Buddhist deities.
D
satirized different levels of society
16

Which of the following is not true of Japanese pottery during the Jomon period?

A
The pots often displayed an artistically playful spirit.
B
During the Jomon period, pots were made using coil technique.
C
Pieces of Jomon pottery held magic powers of good fortune.
D
The pots were used mainly for cooking.
17

Polytheistic is ________________________

A
a belief in, or worship of, many gods.
B
the central religious text of Buddhism.
C
a state of being separate from religion.
D
a representation of a person, especially in the sculpture form.
18

The top of the pot displayed _________________

Question illustration
A
the religious turmoil of the time.
B
life continuous cycle through reincarnation.
C
an effigy of its owner.
D
an artistic playful spirit
19

Mandalas were _____________

A
clay figurines popular during the Jomon period.
B
a hanging scroll used for teaching about deities.
C
a representation of a person, especially in the sculpture form.
D
a garment, such as a sash of about twenty feet, and wrapped around the body.

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