AnswersPARTA - EVP PGCPS ENGLISH 12 OC FALL2026 791113Writing a Narrative Application Essay

Part 2: Summarizing an Author’s Viewpoint in an Informational Text Answers

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Read the excerpt from "Hokusai's The Great Wave.”Hokusai has taken more than colour from the West – he has also borrowed the conventions of European perspective to push Mount Fuji far into the distance. It is clear that Hokusai must have studied European prints, which the Dutch had imported into Japan and which circulated among artists and collectors. So The Great Wave, far from being the quintessence of Japan, is a hybrid work, a fusion of European materials and conventions with a Japanese sensibility. No wonder this image has been so loved in Europe: it is an exotic relative, not a complete stranger.

A
Hokusai uses Japanese painting techniques in The Great Wave.
B
Hokusai uses the wave to represent Japanese culture.
C
The Great Wave is popular because it is a classic example of traditional Japanese art.
D
The Great Wave is popular because it includes both Japanese and European elements.
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Read the excerpt from "Hokusai's The Great Wave” by Neil MacGregor.Here’s a snatch of the letter from the president of the United States that Perry delivered to the Japanese emperor:Many of the large ships-of-war destined to visit Japan have not yet arrived in these seas, and the undersigned, as an evidence of his friendly intentions, has brought but four of the smaller ones, designing, should it become necessary, to return to Edo in the ensuing spring with a much larger force. But it is expected that the government of your imperial majesty will render such return unnecessary, by acceding at once to the very reasonable and pacific overtures contained in the president’s letter . . .This was textbook gunboat diplomacy, and it worked. Japanese resistance melted, and very quickly the Japanese embraced the new economic model, becoming energetic players in the international markets they had been forced to join. They began to think differently about the sea that surrounded them, and their awareness of the possible opportunities in the world beyond grew fast.

A
a college textbook
B
a newspaper article
C
a historical letter
D
a Japanese website
3

What factors affect an author’s viewpoint? Select 4 options.

A
the author’s knowledge
B
the author’s publisher
C
the author’s opinion
D
the author’s worldview
E
the author’s experience
F
the author’s illustrations
4

Read the excerpt from "Hokusai's The Great Wave.”But there are other ways of reading Hokusai’s Great Wave. Look a little closer and you see that the beautiful wave is about to engulf three boats with frightened fishermen, and Mount Fuji is so small that you, the spectator, share the feeling that the sailors in the boats must have as they look to shore – it’s unreachable, and you are lost. This is, I think, an image of instability and uncertainty. The Great Wave tells us about Japan’s state of mind as it stood on the threshold of the modern world, which the US was soon going to force it to join.

A
The author suggests that The Great Wave is a symbol of Japan as it entered into international trade.
B
The author describes the fishing boats and fishers included in the woodblock print.
C
Japan was an isolated nation until The Great Wave became popular.
D
Japanese art is the most expensive and beautiful in the world.
5

Read the excerpt from "Hokusai's The Great Wave” by Neil MacGregor.In the early nineteenth century Japan had been effectively closed off from the world for 200 years. It had simply opted out of the community of nations.Kings are burning somewhere,Wheels are turning somewhere,Trains are being run,Wars are being won,Things are being doneSomewhere out there, not here.Here we paint screens.Yes . . . the arrangement of the screens.This is Stephen Sondheim’s musical tableau of the secluded and calmly self-contained country in 1853, just before American gunships forced its harbours to open to the world. It is a witty caricature of the dreamy and aesthetic Japanese, serenely painting screens while across the seas Europe and America industrialize and political turmoil rages.

A
college textbook
B
magazine article
C
musical lyrics
D
historical website
6

Read the excerpt from "Early Victorian Tea Set.” So our tea set is really a three-piece social history of nineteenth-century Britain. It is also a lens through which historians such as Linda Colley can look at a large part of the history of the world:It does underline how much empire, consciously or not, eventually impacts on everybody in this country. If in the nineteenth century you are sitting at a mahogany table drinking tea with sugar, you are linked to virtually every continent on the globe. You are linked with the Royal Navy, which is guarding the sea routes between these continents, you are linked with this great tentacular capital machinery through which the British control so many parts of the world and ransack them for commodities, including commodities that can be consumed by the ordinary civilian at home.

A
The tea set has always been an important part of British life.
B
The tea set has become more valuable through the years.
C
MacGregor believes the antique tea set to be a symbol of British history. He includes a quotation from a historian to support his point.
D
MacGregor believes that the antique tea set belonged to the Royal Navy. He quotes a historian to prove his theory.
7

What must students use when summarizing an informational text? Select 3 options.

A
a casual tone
B
informal language
C
academic language
D
an objective, formal tone
E
a variety of sentence types
8

Which statement expresses a viewpoint?

A
At the top of the lighthouse is a small museum.
B
Every child should visit an art history museum.
C
A new Japanese paper exhibit has opened at the museum.
D
The Metropolitan Museum of Art is New York’s largest museum.
9

Read the excerpt from "Hokusai's The Great Wave” by Neil MacGregor.The Japanologist Donald Keene, from Columbia University, sees the wave as a metaphor for the changes in Japanese society:The Japanese have a word for insular which is literally the mental state of the people living on islands: shimaguni konjo. Shimaguni is ‘island nations’ konjo is ‘character’. The idea is they are surrounded by water and, unlike the British Isles, which were in sight of the continent, are far away. The uniqueness of Japan is often brought up as a great virtue. A new change of interest in the world, breaking down the classical barriers, begins to emerge. I think the interest in waves suggests the allure of going elsewhere, the possibility of finding new treasures outside Japan, and some Japanese at this time secretly wrote accounts of why Japan should have colonies in different parts of the world in order to augment their own riches.The Great Wave, like the other images in the series, was printed in at least 5,000 impressions, possibly as many as 8,000, and we know that in 1842 the price of a single sheet was officially fixed at 16 mon, the equivalent of a double helping of noodles. This was cheap, popular art; but when printed in such quantities, to exquisite technical standards, it could be highly profitable.

A
“The Japanologist Donald Keene, from Columbia University, sees the wave as a metaphor for the changes in Japanese society . . .”
B
“The Japanese have a word for insular which is literally the mental state of the people living on islands: shimaguni konjo.”
C
“The Great Wave, like the other images in the series, was printed in at least 5,000 impressions, possibly as many as 8,000 . . .”
D
“This was cheap, popular art; but when printed in such quantities, to exquisite technical standards, it could be highly profitable.”
10

Read the excerpt from "Hokusai's The Great Wave” by Neil MacGregor.In the early nineteenth century Japan had been effectively closed off from the world for 200 years. It had simply opted out of the community of nations.Kings are burning somewhere,Wheels are turning somewhere,Trains are being run,Wars are being won,Things are being doneSomewhere out there, not here.Here we paint screens.Yes . . . the arrangement of the screens.This is Stephen Sondheim’s musical tableau of the secluded and calmly self-contained country in 1853, just before American gunships forced its harbours to open to the world. It is a witty caricature of the dreamy and aesthetic Japanese, serenely painting screens while across the seas Europe and America industrialize and political turmoil rages.

A
to illustrate Japan’s isolation in the 1800s
B
to educate readers about Japanese screens
C
to introduce readers to a musical by Stephen Sondheim
D
to argue against American aggressiveness

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