What should a reader consider when tracing chronological text structure? Select 3 options.
Read the excerpt from The Time Traveler's Guide to Elizabethan England.In their stead, people increasingly choose to see secular plays on historical and moral themes. These are performed up and down the country by theater companies called after lords, for example "Lord Sussex’s Men,” "Lord Strange’s Men,” "the Lord Admiral’s Men,” and "Lord Leicester’s Men.” The reason for these names is that, while unattached actors are liable to be arrested for vagrancy, the Act of 1572 specifically excludes players properly authorized by lords from being considered vagabonds.
Read the excerpt from The Time Traveler's Guide to Elizabethan England.As you approach the theaters you will notice that they all seem to be round; in fact, they are polygonal—the Globe is twenty-sided, the Rose fourteen-sided. Whichever one you choose, you can expect to queue with two thousand other people to get in. You will see people standing in hats with pipes in hand, and women in their headdresses, all chatting, with an eye open for people they know. Entrance costs a penny: this allows you to stand in the yard in front of the stage, an uncovered area (hence the need for a hat).
Read the excerpt from The Time Traveler's Guide to Elizabethan England.These [the miracle plays] go out of favor when the privy council decrees that they are too close to Catholicism and should stop. Those at York cease in 1569. In Chester the citizens defy the privy council and continue performing their play about Noah’s Flood well into the 1570s. The Coventry mystery plays are finally suppressed in 1579, so this is the town to visit if you want to catch one later in the reign. The Guary miracle play in Cornwall continues for some years but is so amateurish it can hardly be seen as a threat.
Which excerpt most effectively conveys a conversational and engaging tone?
Read the excerpt from The Time Traveler's Guide to Elizabethan England.More theaters open their doors to the public. The Rose is built by Philip Henslowe at Southwark, not far from the bear-baiting and bull-baiting arenas, in 1587. Eight years later Francis Langley erects the Swan on a site nearby; and in 1596 Richard Burbage builds the Blackfriars Theatre, an indoor venue, although it does not open its doors until 1599.
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