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The Masters I: Leonardo da Vinci Answers

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1
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What is one geometrical fact explained in the lecture that reflects the mathematical technique da Vinci used in The Last Supper?

A
He doesn?t use mathematics in the painting.
B
He uses trigonometry to find the exact place where each thing should be located and create the picture plane.
C
He uses the coffers of the ceiling to place Jesus in the mathematical center, and to create an illusion that extends the room beyond what is visible.
2
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What is Vitruvian man?

A
one of Leonardo’s inventions of a machine man
B
world renowned drawing of the correct human proportions
C
another name for Leonardo da Vinci
4

What symbolism does da Vinci use in his representation of The Last Supper?

A
a triangle shaped light over the head of Jesus
B
the shape of Jesus resembles a triangle
C
Jesus’ hands create a triangle as he reaches for the bread.
D
all of the above
5

Which of the following is a characteristic of the Mona Lisa, and different from other traditional works?

A
Her upper body is painted in a pyramidal shape, rather than a full body pose.
B
She is looking directly at the viewer, rather than following the line of the tilt of her head.
C
sfumato
D
all of the above
6

Which of the following is not one of da Vinci's contributions to technology?

A
effect of the moon on tides
B
modern theory on the formations of the continents
C
precise observations of human anatomy
D
ideas for space travel
7

Which of the following is true about the Mona Lisa?

A
She has an ambiguous expression.
B
It is da Vinci’s most famous painting.
C
Her gaze is shifted slightly to look straight at the viewer.
D
all of the above
9

What was the original concept of Vitruvian man, according to Roman engineer and architect Vitruvius?

A
For a man to be perfect, he must be 7 heads long.
B
For a man to be perfect, his hands and feet would touch the circumference of a circle when extended.
C
A perfect man is 6 feet and 2 inches tall.
D
all of the above
10

How was da Vinci?s The Last Supper created, causing the belief that the painting will be completely lost one day?

A
He used a very thin layer of dry plaster to create a version of a fresco that shortly began to peel away from the wall.
B
He used a painting technique called sfumato, which proved to be ineffective in that time.
C
He uses traditional light and abandons any previous methods used to depict religious scenes.
D
none of the above

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