Read the excerpt from act 1, scene 3, of Julius Caesar.[CASSIUS.] Now know you, Casca, I have moved alreadySome certain of the noblest-minded RomansTo undergo with me an enterpriseOf honourable dangerous consequence.And I do know by this, they stay for meIn Pompey’s Porch. For now this fearful nightThere is no stir or walking in the streets;And the complexion of the elementIn favour’s like the work we have in hand,Most bloody, fiery, and most terrible.
Read the excerpt from act 2, scene 1, of Julius Caesar.[BRUTUS.] And for Mark Antony, think not of him,For he can do no more than Caesar’s armWhen Caesar’s head is off.How does this example of dramatic irony affect the audience?
How does Cinna's request to get Brutus involved affect Cassius? Select two options.
Read the excerpt from act 2, scene 1, of Julius Caesar.BRUTUS. The exhalations whizzing in the airGive so much light that I may read by them.[Opens the letter and reads]"Brutus, thou sleep’st. Awake, and see thyself.Shall Rome, etc.? Speak, strike, redress.”—"Brutus, thou sleep’st. Awake!”Such instigations have been often droppedWhere I have took them up."Shall Rome, etc.?” Thus must I piece it out:Shall Rome stand under one man’s awe? What, Rome?My ancestors did from the streets of RomeThe Tarquin drive when he was called a king."Speak, strike, redress!” Am I entreatedTo speak and strike? O Rome, I make thee promise,If the redress will follow, thou receivestThy full petition at the hand of Brutus!
Which statement best describes a cause-and-effect relationship in a play?
Read the excerpt from act 1, scene 3, of Julius Caesar.CASSIUS. Am I not stayed for? Tell me.CINNA. Yes, you are.O Cassius, if you couldBut win the noble Brutus to our party—CASSIUS. Be you content. Good Cinna, take this paperAnd look you lay it in the praetor’s chair,Where Brutus may but find it. And throw thisIn at his window. Set this up with waxUpon old Brutus’ statue. All this done,Repair to Pompey’s Porch, where you shall find us.Is Decius Brutus and Trebonius there?CINNA. All but Metellus Cimber, and he’s goneTo seek you at your house. Well, I will hie,And so bestow these papers as you bade me.CASSIUS. That done, repair to Pompey’s Theatre.
What is the best definition of character motivation?
How can you infer a character's motivation? Select three options.by identifying a specific thought, feeling, or actionby analyzing an author's choices for text structureby describing the problem that is central to the play and its resolutionby looking at what the author or others say about the characterby looking for and citing evidence in the text as to why the character might think, feel, or act that way
What is ironic about discussing whether or not to include Cicero in the conspiracy? Select two options.
Which situation is an example of dramatic irony?
Read the excerpt from act 1, scene 3, of Julius Caesar.[CASSIUS.] Now know you, Casca, I have moved alreadySome certain of the noblest-minded RomansTo undergo with me an enterpriseOf honourable dangerous consequence.And I do know by this, they stay for meIn Pompey’s Porch. For now this fearful nightThere is no stir or walking in the streets;And the complexion of the elementIn favour’s like the work we have in hand,Most bloody, fiery, and most terrible.
Which situation is an example of dramatic irony?
Read the excerpt from act 2, scene 1, of Julius Caesar.[BRUTUS.] Let us be sacrificers, but not butchers, Caius.We all stand up against the spirit of Caesar,And in the spirit of men there is no blood.O, that we then could come by Caesar’s spirit,And not dismember Caesar!Why is this passage an example of verbal irony?
What is the best definition of character motivation?
Read the excerpt from act 2, scene 1, of Julius Caesar.BRUTUS. The exhalations whizzing in the airGive so much light that I may read by them.[Opens the letter and reads]"Brutus, thou sleep’st. Awake, and see thyself.Shall Rome, etc.? Speak, strike, redress.”—"Brutus, thou sleep’st. Awake!”Such instigations have been often droppedWhere I have took them up."Shall Rome, etc.?” Thus must I piece it out:Shall Rome stand under one man’s awe? What, Rome?My ancestors did from the streets of RomeThe Tarquin drive when he was called a king."Speak, strike, redress!” Am I entreatedTo speak and strike? O Rome, I make thee promise,If the redress will follow, thou receivestThy full petition at the hand of Brutus!
Read the excerpt from act 1, scene 3, of Julius Caesar.CASSIUS. And why should Caesar be a tyrant then?Poor man, I know he would not be a wolfBut that he sees the Romans are but sheep.Why is this excerpt an example of verbal irony?
How can you infer a character's motivation? Select three options.by identifying a specific thought, feeling, or actionby analyzing an author's choices for text structureby describing the problem that is central to the play and its resolutionby looking at what the author or others say about the characterby looking for and citing evidence in the text as to why the character might think, feel, or act that way
How does Cinna's request to get Brutus involved affect Cassius? Select two options.
Read the excerpt from act 2, scene 1, of Julius Caesar.BRUTUS. O ye gods,Render me worthy of this noble wife![Knocking within]Hark, hark, one knocks. Portia, go in a while,And by and by thy bosom shall partakeThe secrets of my heart.All my engagements I will construe to thee,All the charactery of my sad brows.Leave me with haste.[Exit PORTIA]
What is ironic about discussing whether or not to include Cicero in the conspiracy? Select two options.
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