Read the passage from A Doll’s House.Nora: Hide the Christmas Tree carefully, Helen. Be sure the children do not see it until this evening, when it is dressed. [To the porter, taking out her purse.] How much?Porter: Sixpence.Nora: There is a shilling. No, keep the change. [The porter thanks her, and goes out. Nora shuts the door. She is laughing to herself, as she takes off her hat and coat. She takes a packet of macaroons from her pocket and eats one or two; then goes cautiously to her husband's door and listens.] Yes, he is in. [Still humming, she goes to the table on the right.]
Read the excerpt from act 2 of A Doll's House.Nora: [glancing at the card] Oh! [Puts it in her pocket.]Rank: Is there anything wrong?Nora: No, no, not in the least. It is only something—it is my new dress—Rank: What? Your dress is lying there.Nora: Oh, yes, that one; but this is another. I ordered it. Torvald mustn't know about it—Rank: Oho! Then that was the great secret.Nora: Of course. Just go in to him; he is sitting in the inner room. Keep him as long as—Rank: Make your mind easy; I won't let him escape.
When analyzing an argument, which element should you identify first?
Read the passage from A Doll’s House.Helmer: Just think how a guilty man like that has to lie and play the hypocrite with every one, how he has to wear a mask in the presence of those near and dear to him, even before his own wife and children. And about the children—that is the most terrible part of it all, Nora.Nora: How?Helmer: Because such an atmosphere of lies infects and poisons the whole life of a home. Each breath the children take in such a house is full of the germs of evil.Nora: [coming nearer him] Are you sure of that?Helmer: My dear, I have often seen it in the course of my life as a lawyer. Almost everyone who has gone to the bad early in life has had a deceitful mother.Nora: Why do you only say—mother?Helmer: It seems most commonly to be the mother's influence, though naturally a bad father's would have the same result. Every lawyer is familiar with the fact. This Krogstad, now, has been persistently poisoning his own children with lies and dissimulation; that is why I say he has lost all moral character. [Holds out his hands to her.] That is why my sweet little Nora must promise me not to plead his cause. Give me your hand on it. Come, come, what is this? Give me your hand. There now, that's settled. I assure you it would be quite impossible for me to work with him; I literally feel physically ill when I am in the company of such people.Nora: [takes her hand out of his and goes to the opposite side of the Christmas Tree]. How hot it is in here; and I have such a lot to do.
Read the passage from A Doll’s House.Helmer: Because such an atmosphere of lies infects and poisons the whole life of a home. Each breath the children take in such a house is full of the germs of evil.Nora: [coming nearer him] Are you sure of that?Helmer: My dear, I have often seen it in the course of my life as a lawyer. Almost everyone who has gone to the bad early in life has had a deceitful mother.Nora: Why do you only say—mother?Helmer: It seems most commonly to be the mother's influence, though naturally a bad father's would have the same result. Every lawyer is familiar with the fact. This Krogstad, now, has been persistently poisoning his own children with lies and dissimulation; that is why I say he has lost all moral character. [Holds out his hands to her.] That is why my sweet little Nora must promise me not to plead his cause. Give me your hand on it. Come, come, what is this? Give me your hand. There now, that's settled. I assure you it would be quite impossible for me to work with him; I literally feel physically ill when I am in the company of such people.
Which quotations from the texts best support the theme that the way to deal with racism is to stand up to it? Select three options.
Read the excerpt from act 2 of A Doll's House.Nora: How should you understand it? A wonderful thing is going to happen!Mrs. Linde: A wonderful thing?Nora: Yes, a wonderful thing! But it is so terrible, Christine; it mustn't happen, not for all the world.Mrs. Linde: I will go at once and see Krogstad.Nora: Don't go to him; he will do you some harm.Mrs. Linde: There was a time when he would gladly do anything for my sake.Nora: He?Mrs. Linde: Where does he live?
What do the stage directions in a play tell the reader?
Read the excerpt from act 2 of A Doll's House.Rank: The bigger a thing it is the better. I can't conceive what it is you mean. Do tell me. Haven't I your confidence?Nora: More than anyone else. I know you are my truest and best friend, and so I will tell you what it is. Well, Doctor Rank, it is something you must help me to prevent. You know how devotedly, how inexpressibly deeply Torvald loves me; he would never for a moment hesitate to give his life for me.Rank: [leaning towards her] Nora—do you think he is the only one—?Nora: [with a slight start] The only one—?Rank: The only one who would gladly give his life for your sake.Nora: [sadly] Is that it?Rank: I was determined you should know it before I went away, and there will never be a better opportunity than this. Now you know it, Nora. And now you know, too, that you can trust me as you would trust no one else.Nora: [rises, deliberately and quietly] Let me pass.
Read the excerpt from act 2 of A Doll's House.Rank: [leaning towards her] Nora—do you think he is the only one—?Nora: [with a slight start] The only one—?Rank: The only one who would gladly give his life for your sake.Nora: [sadly] Is that it?Rank: I was determined you should know it before I went away, and there will never be a better opportunity than this. Now you know it, Nora. And now you know, too, that you can trust me as you would trust no one else.Nora: [rises, deliberately and quietly] Let me pass.Rank: [makes room for her to pass him, but sits still] Nora!Nora: [at the hall door] Helen, bring in the lamp. [Goes over to the stove.] Dear Doctor Rank, that was really horrid of you.Rank: To have loved you as much as anyone else does? Was that horrid?Nora: No, but to go and tell me so. There was really no need—Rank: What do you mean? Did you know—? [MAID enters with lamp, puts it down on the table, and goes out.] Nora—Mrs. Helmer—tell me, had you any idea of this?Nora: Oh, how do I know whether I had or whether I hadn't? I really can't tell you—To think you could be so clumsy, Doctor Rank! We were getting on so nicely.Rank: Well, at all events you know now that you can command me, body and soul. So won't you speak out?Nora: [looking at him] After what happened?Rank: I beg you to let me know what it is.Nora: I can't tell you anything now.Rank: Yes, yes. You mustn't punish me in that way. Let me have permission to do for you whatever a man may do.Nora: You can do nothing for me now. Besides, I really don't need any help at all. You will find that the whole thing is merely fancy on my part. It really is so—of course it is! [Sits down in the rocking-chair, and looks at him with a smile.] You are a nice sort of man, Doctor Rank! Don't you feel ashamed of yourself, now the lamp has come?
The English poet and playwright William Shakespeare was born in Stratford-upon-Avon in the mid-1500s.
What is a counterclaim?
Read the sentence.For optimal health, eat plenty of fresh fruits and vegetables, _______________, and sleep at least seven hours a night.
Read the excerpt from act 3 of A Doll’s House.Nora: Maybe. But you neither think nor talk like the man I could bind myself to. As soon as your fear was over—and it was not fear for what threatened me, but for what might happen to you—when the whole thing was past, as far as you were concerned it was exactly as if nothing at all had happened. Exactly as before, I was your little skylark, your doll, which you would in future treat with doubly gentle care, because it was so brittle and fragile. [Getting up.] Torvald—it was then it dawned upon me that for eight years I had been living here with a strange man, and had borne him three children—. Oh, I can't bear to think of it! I could tear myself into little bits!
Which sentence includes a nonrestrictive clause?
Read the passage from A Raisin in the Sun.RUTH: Why don't you answer the door, man WALTER (suddenly bounding across the floor to embrace her): 'Cause sometimes it hard to let the future begin! (Stooping down in her face.I got wings! You got wings! All God's children got wings!He crosses to the door and throws it open. Standing there is a very slight little man in a not-too-prosperous business suit and with haunted frightened eyes and a hat pulled down tightly, brim up, around his forehead. TRAVIS passes between the men and exits. WALTER leans deep in the man's face, still in his jubilance.When I get to heaven gonna put on my wings, Gonna fly all over God's heaven . . .The little man just stares at him.Heaven—Suddenly he stops and looks past the little man into the empty hallway.Where's Willy, man?BOBO: He ain't with me.
Read the passage from A Raisin in the Sun.MAMA: Lord have mercy, baby. You done gone and bought your grandmother a hat?TRAVIS (very proud): Open it!She does and lifts out an elaborate, but very elaborate, wide gardening hat, and all the adults break up at the sight of it.RUTH: Travis, honey, what is that?TRAVIS (who thinks it is beautiful and appropriate): It's a gardening hat! Like the ladies always have on in the magazines when they work in their gardens.BENEATHA (giggling fiercely): Travis—we were trying to make Mama Mrs. Miniver—not Scarlett O'Hara!MAMA (indignantly): What's the matter with you all! This here is a beautiful hat! (Absurdly.) I always wanted me one just like it!She pops it on her head to prove it to her grandson, and the hat is ludicrous and considerably oversized.RUTH: Hot dog! Go, Mama!WALTER (doubled over with laughter): I'm sorry, Mama—but you look like you ready to go out and chop you some cotton sure enough!They all laugh except Mama, out of deference to Travis’s feelings.MAMA (gathering the boy up to her): Bless your heart—this is the prettiest hat I ever owned—
Read the sentence.Some of the items on my shopping list _ chanterelle mushrooms, white asparagus, and eel _ were impossible to find.Which punctuation should be added in the underlined spaces?
Read the passage from A Raisin in the Sun.MAMA (to WALTER): Son—(She goes to him, bends down to him, talks to his bent head.) Son . . . Is it gone? Son, I gave you sixty-five hundred dollars. Is it gone? All of it? Beneatha's money too?WALTER (lifting his head slowly): Mama . . . I never . . . went to the bank at all . . .MAMA (not wanting to believe him): You mean . . . your sister's school money . . . you used that too . . . Walter? . . .WALTER: Yessss! All of it . . . It's all gone . . .There is total silence. RUTH stands with her face covered with her hands; BENEATHA leans forlornly against a wall, fingering a piece of red ribbon from the mother's gift. MAMA stops and looks at her son without recognition and then, quite without thinking about it, starts to beat him senselessly in the face.BENEATHA goes to them and stops it.BENEATHA: Mama!MAMA stops and looks at both of her children and rises slowly and wanders vaguely, aimlessly away from them.MAMA: I seen . . . him . . . night after night . . . come in . . . and look at that rug . . . and then look at me . . . the red showing in his eyes . . . the veins moving in his head . . . I seen him grow thin and old before he was forty . . . working and working and working like somebody's old horse . . . killing himself . . . and you—you give it all away in a day— (She raises her arms to strike him again.) BENEATHA: Mama—MAMA: Oh, God . . . (She looks up to Him.) Look down here—and show me the strength.
In a play, which element related to theme is introduced in act 1, built up in act 2, and resolved in act 3?
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