AnswersTRECA Applied English 9-221Mood and Narrative Techniques in "Lather and Nothing Else”

Mood and Narrative Techniques in "Lather and Nothing Else” — Unit test Answers

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Read the excerpt from "The Raven."On the cushion's velvet lining that the lamp-light gloated o'er,But whose velvet violet lining with the lamp-light gloating o'er She shall press, ah, nevermore!

A
to show that the electric light is flickering on and off in the darkened room, which contributes to a frightful mood
B
to emphasize that the light is shining on the spot where Lenore will never sit again, which contributes to a lonely mood
C
to show that the speaker is having trouble seeing even with the light of the lamp turned directly on the chair, which contributes to a mysterious mood
D
to emphasize that the light is next to the chair where the speaker is sitting, which contributes to a sad mood
3

direct characterizationindirect characterizationdirect developmentindirect development

A
direct characterization
B
indirect characterization
C
direct development
D
indirect development
5

Review the information in the chart about the problems of turning stories into films.What solution best completes the chart?

Question illustration
A
Add more narrative detail.
B
Eliminate characters.
C
Add dialogue or a voice-over.
D
Change the ending.
7

Read this stanza from "The Raven."Back into the chamber turning, all my soul within me burning,Soon again I heard a tapping something louder than before."Surely," said I, "surely that is something at my window lattice;Let me see, then, what thereat is and this mystery explore–Let my heart be still a moment and this mystery explore;– 'Tis the wind and nothing more."

A
the reader knows what is making the noise while the speaker does not.
B
the speaker and the reader wait again to find out what is making the noise.
C
the tapping gets louder, which foreshadows that the noise is made by a bird.
D
the wind gets stronger and makes more noise against the speaker’s window.
8

historicaldangerousthrillingbarren

A
historical
B
dangerous
C
thrilling
D
barren
10

Imagery is vivid language that appeals to the reader’s .

Answer not available
13

Read this excerpt from The Raven.here I opened wide the door–Darkness there and nothing more.Deep into that darkness peering, long I stood there wondering, fearing,Doubting, dreaming dreams no mortals ever dared to dream before;But the silence was unbroken, and the stillness gave no token,And the only word there spoken was the whispered word, "Lenore?"This I whispered, and an echo murmured back the word, "Lenore!"– Merely this and nothing more.

A
The speaker goes to his bedroom door, opens the door, and finds his lover Lenore standing in the dark on the other side.
B
The speaker opens his bedroom door into darkness and there is nothing there so he closes the door quickly and runs back to bed.
C
The speaker opens his bedroom door, stands there a while, whispers into the darkness, “Lenore,” and hears this word echo softly but nothing more.
D
The speaker opens his door as fast as he can to run into his room, away from the scary darkness in the hallway that has no lighting.
15

peacefulhumorousanxiousangry

A
peaceful
B
humorous
C
anxious
D
angry
16

Review the line from Karin Slaughter’s NPR interview.And with each page, that's what I try to do – is say something different about the character, something different in the reactions when they find these horrible things that are happening, or they figure out a piece of the puzzle.

C
Child feels that characters are not important to the plot. Slaughter feels characters are central.
C
Child feels that characters must be unattractive and uninteresting. Slaughter feels they must have reactions.
S
Slaughter builds suspense through her characters. Child builds suspense by delaying answers.
S
Slaughter builds suspense by writing puzzles. Child builds suspense by telling anecdotes.
17

Review the statement by Karin Slaughter in her NPR interview.And you have to make sure that the reader cares enough about these characters so that when bad things happen, they want to read along.

A
Child is less concerned with character development than Slaughter.
B
Child is more concerned with character development than Slaughter.
C
Both Child and Slaughter feel that suspense is created through characters.
D
Neither Child nor Slaughter feel suspense is created through characters.
18

Read this excerpt from The Raven.here I opened wide the door–Darkness there and nothing more.Deep into that darkness peering, long I stood there wondering, fearing,Doubting, dreaming dreams no mortals ever dared to dream before;But the silence was unbroken, and the stillness gave no token,And the only word there spoken was the whispered word, "Lenore?"This I whispered, and an echo murmured back the word, "Lenore!"– Merely this and nothing more.

T
The speaker goes to his bedroom door, opens the door, and finds his lover Lenore standing in the dark on the other side.
T
The speaker opens his bedroom door into darkness and there is nothing there so he closes the door quickly and runs back to bed.
T
The speaker opens his bedroom door, stands there a while, whispers into the darkness, “Lenore,” and hears this word echo softly but nothing more.
T
The speaker opens his door as fast as he can to run into his room, away from the scary darkness in the hallway that has no lighting.
20

Imagery is vivid language that appeals to the reader’s .

Answer not available

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