AnswersHSA 26-27 English IV A -ICIntroduction to Anglo-Saxon Literature: Beowulf

Introduction to Anglo-Saxon Literature: Beowulf — Unit test Answers

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Look at the painting The Great Wave by Katsushika Hokusai.

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A
It is because the sea is blue,Because Fuji is blue, because the bent blueMen have white faces, like the snowOn Fuji, like the crest of the wave in the sky the color of theirBoats.
B
It is because the airIs full of writing, because the wave is still: that nothingWill harm these frail strangers,That high over Fuji in an earthcolored sky the fingersWill not fall
C
In the painter's seaAll fishermen are safe. All anger bends under his unity.But the innocent bystander, he merely'Walks round a corner, thinking of nothing': hidden
D
He stands half in and half out of the world; he is the men,But he cannot see below FujiThe shore the color of sky; he is the wave, he stretchesHis claws against strangers.
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Read the excerpt from "An Irish Airman Foresees His Death."I know that I shall meet my fate Somewhere among the clouds above; Those that I fight I do not hate Those that I guard I do not love; My country is Kiltartan Cross, My countrymen Kiltartan's poor, No likely end could bring them loss Or leave them happier than before.Read the excerpt from "Do not go gentle into that good night."Do not go gentle into that good night,Old age should burn and rave at close of day;Rage, rage against the dying of the light.Though wise men at their end know dark is right,Because their words had forked no lightning theyDo not go gentle into that good night.Good men, the last wave by, crying how brightTheir frail deeds might have danced in a green bay,Rage, rage against the dying of the light.

A
The refrains of "An Irish Airman Foresees His Own Death" stress that life and death are balanced, while the parallel structure of "Do not go gentle into that good night" stresses that men of all ages should fight against their oncoming demise.
B
The repetitions and refrains in both excerpts develop the theme that death cannot be avoided, no matter how hard one struggles against it.
C
Both the parallel structure in the excerpt of "An Irish Airman Foresees His Own Death" and the repetition in the excerpt from "Do not go gentle into that good night" emphasize the inevitability of death.
D
The parallelism in "An Irish Airman Foresees His Death" emphasizes the idea that the speaker identifies himself as an Irishman, while the refrains in "Do not go gentle into that good night" emphasize the speaker’s vehement opposition to death.
3

Read the poem "The Great Wave: Hokusai."It is because the sea is blue,Because Fuji is blue, because the bent blueMen have white faces, like the snowOn Fuji, like the crest of the wave in the sky the color of theirBoats. It is because the airIs full of writing, because the wave is still: that nothingWill harm these frail strangers,That high over Fuji in an earthcolored sky the fingersWill not fall; and the blue menLean on the sea like snow, and the wave like a mountain leansAgainst the sky.In the painter's seaAll fishermen are safe. All anger bends under his unity.But the innocent bystander, he merely'Walks round a corner, thinking of nothing': hiddenBehind a screen we hear his cry.He stands half in and half out of the world; he is the men,But he cannot see below FujiThe shore the color of sky; he is the wave, he stretchesHis claws against strangers. He isNot safe, not even from himself. His world is flat.He fishes a sea full of serpents, he rides his boatBlindly from wave to wave toward Ararat.

A
He uses humor to mock the subject.
B
He uses imagery to present the subject.
C
He uses structure to conceal the subject.
D
He uses tone to criticize the subject.
4

[BLANK]

A
mountains
B
nature
C
oceans
D
weather
5

Which lines from "Ode to the West Wind" describe the wind in an unusual way? Check all that apply.

A
"O wild West Wind, thou breath of Autumn's being"
B
"Yellow, and black, and pale, and hectic red"
C
"Each like a corpse within its grave, until"
D
"Wild Spirit, which art moving everywhere"
E
"Destroyer and preserver; hear, O hear!"
6

Read the passage from "A Defence of Poetry.”A poet participates in the eternal, the infinite, and the one; as far as relates to his conceptions, time and place and number are not.In his poem "Mutability,” Shelley

A
focuses on the beauty of nature rather than addressing time.
B
contradicts this idea by focusing on the inevitability of change.
C
explains the importance of music in the inspiration of humankind.
D
supports this idea with figurative language focused on timelessness.
7

Read the poem entitled "The Poison Tree" by William Blake.I was angry with my friend:I told my wrath, my wrath did end.I was angry with my foe:I told it not, my wrath did grow.And I watered it in fearsNight and morning with my tears,And I sunned it with smilesAnd with soft deceitful wiles.And it grew both day and night,Till it bore an apple bright,And my foe beheld it shine,And he knew that it was mine, —And into my garden stoleWhen the night had veiled the pole;In the morning, glad, I seeMy foe outstretched beneath the tree.

A
the fruits of hard work
B
the gift of forgiveness
C
the steady progression of time
D
the danger of suppressed anger
8

Japanese haiku differ from English Romantic poems because

A
a haiku presents a single moment through its brief structure.
B
a haiku creates a steady rhythm with its patterned rhyme.
C
a haiku uses free form and often includes several stanzas.
D
a haiku weaves lengthy tales of people’s struggles with nature.
9

Read the excerpt from "Do not go gentle into that good night."Wild men who caught and sang the sun in flight,And learn, too late, they grieved it on its way,Do not go gentle into that good night.Grave men, near death, who see with blinding sightBlind eyes could blaze like meteors and be gay,Rage, rage against the dying of the light.And you, my father, there on the sad height,Curse, bless, me now with your fierce tears, I pray.Do not go gentle into that good night.Rage, rage against the dying of the light.

A
The refrains highlight the love between a father and a son.
B
The refrains reveal that the speaker will soon pass away.
C
The refrains emphasize the importance of resisting death.
D
The refrains reinforce the inevitability of death for everyone.
10

Read the second stanza from "Mutability.”Or like forgotten lyres, whose dissonant strings Give various response to each varying blast, To whose frail frame no second motion brings One mood or modulation like the last.

A
They emphasize differences.
B
They suggest disagreement.
C
They emphasize imagination.
D
They suggest a lack of control.
11

Read the sentence.My brother who is a superb actor will audition tomorrow for a film role.

A
My brother: who is a superb actor will audition tomorrow for a film role.
B
My brother; who is a superb actor; will audition tomorrow for a film role.
C
My brother who is a superb actor, will audition tomorrow for a film role.
D
My brother—who is a superb actor—will audition tomorrow for a film role.
12

Read the passages."A Defence of Poetry”Poetry thus makes immortal all that is best and most beautiful in the world; it arrests the vanishing apparitions which haunt the interlunations of life, and veiling them, or in language or in form, sends them forth among mankind."Mutability”We are as clouds that veil the midnight moon;How restlessly they speed, and gleam, and quiver,Streaking the darkness radiantly!—yet soonNight closes round, and they are lost for everHow does the first stanza of "Mutability” reflect the idea expressed in this excerpt from "A Defence of Poetry”?

A
It demonstrates poetry’s ability to make all things “immortal” by referring to images from nature that have existed for centuries.
B
It demonstrates poetry’s ability to send images “forth among mankind” by explaining in detail how this is accomplished.
C
It demonstrates poetry’s ability to “arrest the vanishing apparitions” of life by preserving an image of a fleeting moment in time.
D
It demonstrates poetry’s ability to portray all things as “beautiful” by taking an unpleasant image and depicting it as a lovely one.
13

Consider this painting entitled Great Fish-Market by Bruegel.

Question illustration
A
the people’s enjoyment of fishing as a pastime
B
the people’s reliance on the sea as an industry
C
the people’s varied professional roles
D
the people’s family customs
14

Read the paragraph.In describing the woman's beauty, Byron writes, "And all that's best of dark and bright / Meet in her aspect and her eyes." At the end of the poem, the woman is described as having "a mind at peace with all below" and "a heart whose love is innocent." Through the use of common words and phrases such as these, Byron succeeds in using everyday language to describe the woman's beauty.

A
Lord Byron's Romantic poem "She walks in beauty" describes in tremendous detail the beauty of a woman the speaker sees while attending a social gathering one night.
B
Several of Wordsworth's ideas about poetry are reflected in Romantic poems, and many lines in Byron's poem "She walks in beauty" prove this to be true.
C
Lord Byron's poem "She walks in beauty" tells the story of a speaker who spies a woman and describes her beauty in unusual ways.
D
Wordsworth's belief that poetry should include everyday language is reflected in Lord Byron's poem "She walks in beauty," which relies heavily on common language to describe the woman.
15

[BLANK]

A
iambic pentameter
B
iambic tetrameter
C
iambic hexameter
D
no regular meter
16

[BLANK]

A
artisans
B
musicians
C
inventors
D
teachers
17

Read the poems.What motif is addressed in both forms of poetry?

Question illustration
A
isolation
B
night
C
indulgence
D
royalty
18

Read the excerpt from "A Defence of Poetry.”A poem is the very image of life expressed in its eternal truth. There is this difference between a story and a poem, that a story is a catalogue of detached facts, which have no other connexion than time, place, circumstance, cause and effect; the other is the creation of actions according to the unchangeable forms of human nature, as existing in the mind of the Creator, which is itself the image of all other minds.

A
factual.
B
timeless.
C
detached.
D
unrealistic.
19

[BLANK]

A
comma
B
hyphen
C
period
D
semicolon
20

Read the haiku.April’s air stirs inwillow-leaves . . . a butterflyfloats and balancesNow, read Gabriel’s analysis of the haiku.This haiku contains a kigo in addition to a motif.

A
April’s
B
willow-leaves
C
butterfly
D
balances

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Introduction to Anglo-Saxon Literature: Beowulf…