Historical Context and Conflict in Lizzie Bright and the Buckminster Boy, Part 1 Answers

0 verified answers1 views
1
Free Preview

Read the excerpt from Lizzie Bright and the Buckminster Boy.He looked up and down the coast. If he saw even a single soul prowling the shore, he would light out. But there were only gulls. Across the water a line of trembling smoke rose high and then spread out. Otherwise, it was as if God had just remade the world for him, and he was Adam waking up, an entire globe to explore.

A
Turner is glad the beach is empty; he was curious about the smoke in the air and wanted to investigate it on his own.
B
Turner is relieved the beach is empty; he hates being watched by the townspeople because he is the preacher’s son.
C
Turner is happy that the beach is empty; he is wearing his white shirt, and as the preacher’s son, he is not supposed to get his shirt dirty.
D
Turner is excited that the beach is empty; he is waiting for Lizzie to show up, and as the preacher’s son, he’s not supposed to be friends with her.
2
Free Preview

At which point does the author develop the conflict between the people of Phippsburg and those of Malaga Island in Lizzie Bright and the Buckminster Boy?

A
before Turner travels to the island
B
after Turner travels to the island
C
before Turner meets Lizzie Bright
D
when Turner is eating with Lizzie’s family
3

In Lizzie Bright and the Buckminster Boy,Turner disagrees with the townspeople who want to remove everyone from Malaga Island because Turner

A
has never spoken to a black person before meeting Lizzie.
B
does not like the townspeople watching him all the time.
C
wants his father to move his own family to Malaga Island.
D
enjoys Lizzie and his experience on Malaga Island.
5

Which is an example of external conflict in Lizzie Bright and the Buckminster Boy?

A
Turner likes the beach better than the town.
B
Lizzie is not sure she will like the boy on the beach.
C
Turner does not like how his father treats him.
D
Turner likes Malaga Island but cannot say so.
6

Read the excerpt from Lizzie Bright and the Buckminster Boy.[Mr. Stonecrop] draped his arm around Turner's shoulders and drew him in, into his strength and power and presence. Turner felt as if he were moving in close to a mountain. But when he looked up into Mr. Stonecrop's face, he shuddered. Mr. Stonecrop was laughing, and his mouth was pulled into a grin, but his eyes were as dead as marbles, almost as if there were nothing behind them. He was like someone out of a ghost story, and Turner tried to draw away.

A
Mr. Stonecrop, like a mountain, is a fair and wise man whom others look up to for leadership about Malaga Island.
B
Mr. Stonecrop, like a mountain, is intimidating and strongly holds his position against the people of Malaga Island.
C
Mr. Stonecrop, like a mountain, changes with the seasons, and he changes his mind about the people of Malaga Island.
D
Mr. Stonecrop, like a mountain, is an elderly man who lets others decide what is best in reference to Malaga Island.
7

Read the excerpts from Lizzie Bright and the Buckminster Boy.Excerpt 1:Turner shifted the pail of clams to his other hand, and they followed the curve of the beach past the schoolhouse—the trimmest building on the island—past more shingled one-room homes . . .Excerpt 2:"We tried educating them. We built a school and hired a teacher, all at the town's expense. But that didn't do a single bit of good. . . . There will be those in town who insist that we should keep the school up, that we should spend even more money than we have from the town treasury on other schemes well-intentioned but foolish.”

A
well cared for by the townspeople.
B
the only building by the beach.
C
very close to the people’s homes.
D
the only one for all the island’s students.
8

Read the excerpt from Lizzie Bright and the Buckminster Boy."It's not his fault, Reverend," said Mr. Stonecrop smoothly. "It's not his fault at all. That's how they are. They're sly and crafty, making out all the time that they're dumb. But they're thinking, thinking, plotting, plotting. Here's the minister's son, they think, and if we can just get him on our side, we'll get the minister. And if we get the minister, we get the church. And if we get the church—you see how it goes. That's how they used your son. And it wasn't the old Preacher Griffin that they sent out to you, boy, was it? No, sir. It wasn't the old preacher. Why don't you go on ahead and tell your father who you were with today.""Lizzie."

A
lying about what happened to Turner.
B
comparing Turner to Lizzie Griffin.
C
citing facts against Preacher Griffin.
D
telling a story of his experience there.
9

Read the excerpt from Lizzie Bright and the Buckminster Boy.And that was when Turner suddenly knew that he was late for dinner, that Reverend Buckminster would be figuring that he'd fallen into some rocky chasm or drowned in the sea, or worse yet, that he'd come up with some other way to embarrass the new minister. And he figured that when he showed up alive after all, his father would stand on the porch and look at him in a way that said Turner would never be the kind of son he had hoped for—it would be as loud as if he had just announced it from the pulpit.

A
Turner does not want to become a minister.
B
the reverend is always critical of him.
C
Turner does not like to explore on his own.
D
the reverend yells at him from the pulpit.

Did you find these answers helpful?