AnswersFoundations of Art - Q1The Movement III: Painting

The Movement III: Painting Answers

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1
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Which of the following best illustrates Tinoretto’s planning techniques?

A
He used models to pose for him for hours until it was perfect.
B
He carefully drew every figure to be exact before he painted.
C
He created a small scale model with wax figures.
D
all of the above
2
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Why was the painting above so controversial?

Question illustration
A
The heads of the Inquisition felt it was offensive, unfocused, and blasphemous.
B
It was too realistic for some.
C
Some of the models for characters in the painting died from mysterious circumstances.
D
Jesus is not pictured in the painting.
3

Who is the artist of the piece above?

Question illustration
A
Titian
B
Clovio
C
Tintoretto
D
Cosimo
4

Mannerism has been interpreted as an artistic expression of the unsettled _______ and ___________ conditions in Europe.

A
Catholic; Protestant
B
political; aristocratic
C
political; religious
D
Catholic; aristocratic
5

All of the following encompass the style of Mannerism except _________.

A
using simplistic subjects
B
using highly skilled techniques
C
enhancing self-elegance and grace
D
enhancing beauty
6

Why is the painting above considered a hallmark of 16th century painting?

Question illustration
A
the use of light, the medium
B
the color choices, the clothing, and the use of light
C
the architectural details, vibrant and vivid colors, theatrical and realistic
D
all of the above
7

How are the emotional aspects of the fresco above expressed?

Question illustration
A
through the odd pose, the scale of the piece, as well as the contrasting colors
B
through the deep shadows of the figures
C
through the expressions on the faces
D
through the movements of the figures
8

What is the name of the painting below?

Question illustration
A
Mary with the Long Neck
B
Madonna with the Long Neck
C
Mary with the Baby Jesus
D
Madonna with the Baby Jesus
9

What is Mannerism?

A
a style from the 16th century that suggested wealth, and power
B
a style from the 16th century that suggested elegance, self-awareness, and sometimes artificial grace
C
a style from the 16th century characterized by noticeably elongated faces, necks, and arms
D
none of the above

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